Reviews on the new UFO film about di$clo$ure. (As many suspected, they’re not good. Yet a other talking heads film dressed as a documentary).

Thoughts on the New UFO Documentary about Disclosure

As many anticipated, reviews of the latest UFO documentary centered on disclosure, “The Age of Disclosure,” have not been favorable. Unfortunately, it’s another film filled with talking heads masquerading as a serious documentary.

Skip the experience of watching some overzealous wannabe influencer rave about nothing on YouTube while trying to sell you someone else’s podcast, book, or project. Seriously, it’s time to wake up.

Yahoo.

“The Age of Disclosure,” which premiered today at SXSW, aims to present what it claims is undeniable evidence of alien spacecraft visiting Earth. However, if you challenge the film’s claims—as I will in this review—you might find yourself labeled a heretic or a denier, accused of ignoring the so-called proof that’s right in front of you.

When you examine the evidence, it’s hardly convincing: it consists mainly of blurry black-and-white footage from the U.S. government showing small objects darting over the water’s surface. This footage, originally declassified in 2021, has a fascinating quality but ultimately offers little in the way of concrete conclusions. It’s not exactly what alien enthusiasts have dreamed of seeing.

Let’s be honest: like many who tune into “The Age of Disclosure,” I am curious and desperate to believe. I’ve consumed a multitude of UFO programs and documentaries, always searching for that feeling of wonder, hoping the images of mysterious lights in the sky are real. Occasionally, I’ve been momentarily drawn into the thrilling thought that maybe aliens do exist—that rush feels akin to witnessing proof of a higher power.

Our longing for such possibilities, alongside how we reinterpret evidence to support our beliefs, is a powerful phenomenon. Yet, when you begin to unravel the underlying patterns in our fascination with alien encounters, you become a bit less prone to wide-eyed faith.

The truth might be out there, but one must acknowledge how each era interprets “evidence” in its own context. For instance, Orson Welles’ 1938 radio adaptation of “The War of the Worlds” incited mass panic, leading audiences to believe a Martian invasion was underway. The 1980s were rife with alien abduction claims, and the ’90s saw the rise of shows like “The X-Files,” which framed conspiracy theories in a way that shifted from left-leaning to more right-leaning perspectives.

What sets “The Age of Disclosure” apart is its scientific and bureaucratic presentation, framing itself as crucial evidence on the paranormal. Gone are the days of “UFOs”—now we’re talking about UPAs, or Unidentified Anomalous Phenomena. However, aside from some government-sanctioned footage (which isn’t all that varied), the film primarily consists of two hours filled with talking heads.

The contributors aren’t eccentric enthusiasts; they’re prominent figures from the U.S. government, military, and intelligence circles. They speak with authority, insisting they have firsthand accounts of alien craft and non-human entities. The film’s overall tone is that these claims are official and irrefutable.

These experts repeatedly convey a singular narrative that underscores the extraordinary physical capabilities of these crafts. They claim these ships can maneuver at unprecedented speeds, stop instantaneously, and demonstrate technology far beyond anything currently known to humanity. Yet, they present their testimonies in the context of national defense rather than purely out of awe. Their focus is less on the wonder of discovery and more on the implications for U.S. security.

While some witness accounts reference classified UAP footage, the lack of compelling visual evidence raises skepticism. If aliens exist, why is there no clear documentation capturing these encounters, especially with the prevalence of cameras globally?

The film’s title, “The Age of Disclosure,” implies a forthcoming revelation from the government, suggesting that the truth about these phenomena is finally within reach. But when will we be shown verifiable evidence that moves beyond vague claims and blurry

One thought on “Reviews on the new UFO film about di$clo$ure. (As many suspected, they’re not good. Yet a other talking heads film dressed as a documentary).

  1. It’s disappointing to see that “The Age of Disclosure” hasn’t lived up to the hype many were hoping for. From the reviews, it seems like viewers were marketed a groundbreaking documentary, only to find themselves faced with a rehashing of familiar tales and unverifiable claims, which is hardly new ground for UFO enthusiasts. The reliance on blurry footage and the parade of “talking heads” doesn’t add the credibility needed to convince skeptics or even pique the interest of the more open-minded.

    You make a valid point about the influences of online figures and the rush to present “evidence” that often lacks substance. It’s almost disheartening to watch so many latch onto these narratives that make bold claims without the accompanying proof. The hunger for sensationalism can cloud our judgment and make it easy to overlook the glaring holes in the narratives presented.

    The historical context you provide about how each era’s fascination with extraterrestrial life reflects societal trends is compelling and adds depth to the discussion. It seems that we’re not so much seeking the truth about aliens as we are projecting our hopes, fears, and curiosities onto these stories.

    And you’re right — in an age where surveillance is omnipresent and every smartphone has a camera, it’s baffling that so little tangible evidence seems to emerge. If these phenomena were truly real, shouldn’t we have irrefutable visual proof by now? Until we do, it’s understandable to be skeptical and demand more rigorous scrutiny of these claims.

    In the end, maybe “The Age of Disclosure” could serve as a reminder for all of us to approach such sensational topics with a critical eye. I echo your sentiment: I’ll believe when I see more than just shadows dancing across the screen.

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