“Bedtime Stories” Singer: An Unlikely Experiencer?
I came across another Reddit thread that led me to a news article about a singer who has released an entire album dedicated to the UAP phenomenon. After listening to her songs, I found several intriguing points worth sharing:
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The artist, Dana, appears to have a deeper understanding of UAP history and current events than many experiencers. For instance, one of the tracks on her first album is titled “Debunker,” which critiques the misinformation surrounding UAP discussions. Additionally, her song Someone Said satirizes the general public’s lack of engagement with what could be deemed the most significant story in human history.
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Dana introduces a unique perspective on abductions that I haven’t encountered before. In her album Bedtime Stories, there’s a song called “Levitation,” which describes a person in bed feeling vibrations before being lifted through walls as their “atoms shimmer.” I’ve heard researchers like Garry Nolan mention experiencing vibrations during encounters. This makes me wonder if the vibrations come from the atoms themselves oscillating. Could it be that non-human intelligence (NHI) has learned to make atoms vibrate at precisely the right frequency to allow our bodies to pass through walls?
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Perhaps the most striking moment comes from her single, “That’s Me.” In this song, she narrates the experience of someone who has had encounters since the age of four and explores the reasons why NHIs target children for abductions. Rather than mere ‘tagging,’ these beings seem to tap into the experiential life of their abductees, perceiving everything they see, hear, taste, and feel throughout a lifetime. This perspective sheds light on why children might be targeted: to understand the culture fully over a longer span of time. A particularly haunting part of the song states, “You can’t see the unseen. You won’t hear from the cleaned. Cause that’s me,” and then shifts to a chilling declaration from the NHI’s perspective: “We’re multiplying, infecting, manifesting, and evolving. We’re uncompromising, undocumented, uninvited, and underestimated. We’ve been here long before you learned to crawl. And now I’ll follow you home…”
You can find all her songs for free here: Dana Unseen on YouTube.
It’s fascinating how Dana’s music dives deep into the UAP phenomenon and abduction experiences. The connections you’re making between her lyrics and the broader discussion around UAPs and extraterrestrial encounters are thought-provoking.
Her knowledge of UAP history and the public’s apathy towards it highlights an important aspect of the conversation that often gets overlooked. It’s refreshing to see an artist using their platform to challenge societal assumptions and bring awareness to what they believe is a critical issue.
The concept of levitation and the vibrations you mentioned is intriguing. It raises questions about the nature of reality and the potential for advanced technologies or understandings that we haven’t yet grasped. The idea that NHI might manipulate atomic vibrations to facilitate such experiences is a stark reminder of how much we don’t know about the universe.
The perspective on why NHI might target children for abductions is both chilling and insightful. It reflects a level of strategic thinking that suggests these encounters are not random but rather calculated attempts to understand humanity more profoundly. The lyrics you’ve quoted evoke a sense of urgency and an eerie awareness of an ongoing interaction that many may not be conscious of.
Overall, Dana’s album seems to open up a meaningful dialogue on UAPs and abductions, blending art with some of the most perplexing questions about our existence and our place in the universe. It’s exciting to see artists like her challenge norms and push boundaries in thought-provoking ways. Thanks for sharing her work!